《深夜食堂》的空間詩學：‘Home’ is where the stomach is
Poetics of Space in Shinya Shokudo: ‘Home’ Is Where the Stomach Is
Poetics of Space in Shinya Shokudo: ‘Home’ Is Where the Stomach Is
一個人的同類──聶隱娘和宮二：女武者的自由與孤獨
Alone, Two of a Kind — Nie Yinniang & Gong Er: The Freedom and Solitude of Female Warriors
Alone, Two of a Kind — Nie Yinniang & Gong Er: The Freedom and Solitude of Female Warriors
【M+放映：四十年】《極度寒冷》：當我們談論藝術家的自殺時我們在談論什麼
【Commissioned by M+ Museum for “M+ Screenings: Forty Years”】Frozen: What We Talk about When We Talk about Artist’s Suicide
【Commissioned by M+ Museum for “M+ Screenings: Forty Years”】Frozen: What We Talk about When We Talk about Artist’s Suicide
【M+放映：性別流動】看（不）見我：Claude Cahun與黃漢明作品中的凝視、假面及身份政治
【Commissioned by M+ Museum for “M+ Screenings: Genderfluid”】You See Me (Not): the Gaze, the Masquerade and Identity Politics in the Works of Claude Cahun and Ming Wong
【Commissioned by M+ Museum for “M+ Screenings: Genderfluid”】You See Me (Not): the Gaze, the Masquerade and Identity Politics in the Works of Claude Cahun and Ming Wong
現代性、符號帝國與異托邦：從《小山回家》到《山河故人》
Modernity, Empire of Signs and Heterotopia: From Xiaoshan Going Home to Mountains May Depart
Modernity, Empire of Signs and Heterotopia: From Xiaoshan Going Home to Mountains May Depart
